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Padmaloka Welcomes New Buddha

The new Buddha statue at Padmaloka

Lokeshvara writes from Padmaloka, Triratna’s long-established men’s retreat centre in Norfolk UK, with news of - the arrival of their Buddha!  This is part of their long-running project to populate every part of the shrineroom with images of the Buddhas and Bodhisattvas, mostly if not entirely painted and sculpted by Aloka.  He says -

“If you haven’t been here since New Year, we have to tell you that we have a new Buddha made by Aloka in the shrine room, and we have painted the room. It’s quite a change!  All this is part of a long term collective project - within Padmaloka and across Triratna - of creating a visual language for Buddhism as it takes root into western culture”.

Online photographs of the new images are hard to come by, as they want people to visit and experience them first-hand in the atmosphere of the shrineroom itself.  However he goes on to say “If you are one of the people who have already donated to this project – a really big thank you we couldn’t do it without your help. If you want to help with the next phase - two paintings this year - you can donate through our new fundraising page, where there is a photo of the new Buddha”. 

We reproduce it here, and invite Triratna News readers to go visit as soon as they can!

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Art Exhibition in Helsinki: The Forest Speaks

The Forest Speaks

Any readers of Triratna News who happen to be in Helsinki in April are warmly invited to visit a exhibition entitled ‘The Forest Speaks’ (‘Metsä puhuu’ in Finnish), created by two Order Members Akasaka and Nagashila.  Akasaka writes, saying - “The Forest Speaks exhibition is the current result of a collaboration between myself, an Englishwoman and graphic artist, newly arrived in Finland, and Nagashila, a Finnish painter. Our collaboration started in the Koli Ryynänen artist residence in 2008. 

Both of us are interested in Kalevala, its poems and myths. The Karelian landscape with its hills stretching around Koli and Pielinen has been a perpetual circle of mythic dimension for us. It is also a place where we have walked silently during the nights and made various forest rituals. Another thing connecting us is of course practising Buddhist meditation.

My works displayed in the exhibition are from the period of 2008-2012.  Created of ink, birch bark and photographs, they do not describe the heroes of Kalevala but the changes in one’s mind, creating the new, integration, memory and wisdom which is hidden in the poems of Kalevala. My latest works focus on the 47 verses where Ilmatar is lulling in a golden cradle the spark of fire of the new sun created by Ukko. 

From Nagashila the exhibition displays ‘contemplation paintings’ and four ‘forest icons’. The first are works created with different techniques (water colour, tempera, oil, a discovered plank, iron nail). Their titles often have a literal reference - Nagashila says that the roots of his art are found in the shamanic Kalevala tradition, in the Orthodox Christian prayer tradition and in practicing Buddhist meditation.

During three Sundays while the exhibition is open Nagashila will create sand paintings as part of a ‘Forest Icon Event’ - using materials found in the nature they are an offering of gratitude to the forest.

The exhibition is a co-chanting of two artists, a woman and a man, and of the feminine and masculine energies of the forest. The voices of us both are mingled with each other and thus bring about yet a new soundscape, a new colour, like yellow and blue together become green.

For more information and pictures see  www.helsingintaiteilijaseura.fi.  Details of Triratna’s Helsinki Buddhist Centre are at www.triratna.fi.

Video

Samuel Rawlings, Subhuti’s secretary,  writes from India with news of an exciting new Triratna venture: the first-ever Indian Buddhist Artists’ Retreat.  He says -

“The event was the first of its kind to take place in India, with artists coming from all corners of the sub-continent to explore the relationship between Art and the Buddha-Dhamma. Most of the participants were from a Dalit background, and it was very moving to hear how deeply they had all struggled to produce their work - largely due to the crippling economic conditions and ideological abuse they had endured, often simply because they had chosen to be artists rather than follow more traditional (ie, prescribed) occupations.  Modern Indian artists clearly have to struggle under the heavy mantle of the rigorous orthodox aesthetic of traditional Brahmin culture - ‘tradition from all the dead generations that weighs like a nightmare on the brain of the living’, as Marx put it!  Being creative on canvas here is an immediate social provocation and bound to solicit abuse in the media and in the ‘establishment’ at large.

The initiative was skilfully orchestrated by Dharmachari Maitriveer-Nagarjuna, an Indian Order Member and led by Dharmachari Subhuti. The contribution of the internationally acclaimed artist Savi Savarkar was particularly special and worthy of note. His experience and advice was inspirational to many of the younger novice artists attending the retreat, some of whom he subsequently invited to come and share his studio space in Delhi; this being an example of the spontaneous phosphorescence of Kalyana Mitrata which really illuminated the 4 special days shared we all together. The opportunity to share struggles and successes with like-minded Buddhist practitioners was clearly invaluable. Friendships were developed and sparked off anew, and there are eager plans to repeat and develop the event in years to come.

Hopefully the short video, made by myself, gives you a more vivid idea of the flavour of our time together.   If it’s not visible in the embedded player you can find it at vimeo.com/34848417.  For more information and links to some of recorded talks, you can also check Subhuti’s website”.